Mon­ta­ge 2014

A pro­ject by WRLK.TV

Descrip­ti­on

This is the 2014 mon­ta­ge of pro­jec­ts I have worked on throughout the past few years. The edit con­tains expan­si­ve stu­dio pro­jec­ts as well as inde­pendent­ly direc­ted and craf­ted pie­ces of work.

Shot List (Time Code / Tit­le / Stu­dio / Role)
00:00 / Mon­ta­ge Intro / WRLK.TV
00:18 / Asics Run­ning / Post­Pa­nic / Com­po­si­t­ing
00:22 / ATV Idents / Eat My Dear / Design, Ani­ma­ti­on, Com­po­si­t­ing
00:24 / Tatra­banka Time­li­ne / Post­Pa­nic / Tex­tu­ring, Ren­de­ring, Com­po­si­t­ing
00:26 / Mül­ler / Eat My Dear / Design, Ani­ma­ti­on, Com­po­si­t­ing
00:27 / Ice Break / Per­so­nal
00:28 / Hei­ne­ken / Post­Pa­nic / Design, Ani­ma­ti­on, Com­po­si­t­ing
00:29 / Pilz & Rath / WRLK.TV / Direc­tion & Crea­ti­on
00:30 / ams / WRLK.TV / Direc­tion & Crea­ti­on
00:31 / Red Bull / Red Bull Media House / Ani­ma­ti­on, Ren­de­ring, Com­po­si­t­ing
00:32 / AVL Advan­ced Simu­la­ti­on Tech­no­lo­gies / mood­ley brand iden­ti­ty / Direc­tion & Crea­ti­on

00:35 / Tatra­banka Cube / Post­Pa­nic / Ani­ma­ti­on, Com­po­si­t­ing
00:38 / MTV Brand New / Post­Pa­nic / Direc­tion & Crea­ti­on
00:39 / Vier­schan­zen­tour­nee / Eat My Dear / Ani­ma­ti­on, Com­po­si­t­ing
00:42 / XAL / Fruit Media / Direc­tion & Crea­ti­on
00:46 / Nike Mer­cu­ri­al Vapour / Post­Pa­nic / Key­ing, Com­po­si­t­ing
00:56 / Audi 2000 Decisi­ons / Eat My Dear / Design, Ani­ma­ti­on
00:59 / Por­sche Cayenne Tur­bo S / Acht Visu­al Cate­ring / Design, Ani­ma­ti­on, Com­po­si­t­ing
01:07 / MTV Rocks! Idents / Post­Pa­nic / 2D Artist
01:13 / Mon­ta­ge Outro / WRLK.TV

Credits:  Direc­tion / Edit: Miro Klasinc
Sound Design: Phil­ipp Pacher

Miro Klasinc

WRLK.TV

WRLK.TV is the crea­ti­ve plat­form of Aus­tri­an-based free­lan­ce moti­on gra­phics director/designer Miro Klasinc.

I am avail­ab­le for com­mis­sio­ned work, col­la­bo­ra­ti­ons as well as expe­ri­men­tal and cha­ri­ta­ble pro­jec­ts all over the world.

I love expe­ri­men­ting with uncon­ven­tio­nal approa­ches, ela­bo­ra­ting con­cepts and car­ving out pro­gres­si­ve visu­als.
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